Although abstract expressionism still holds her attention, she will often heed the call to either realism or impressionism. These representa-tional works, closer to her roots, show Paton’s inherent use of color and command of her materials.
In June 2009, Kristine moved to a quaint cottage on Cowichan Bay Farm. A converted root-house-now studio is where she spends many of her days painting. A free-range artist, she is content to be the tortoise in a world full of hares.
“Inspiration is everywhere: a glance, touch, smell or sound away. I paint at my own speed, and I only paint what feels right.” She will admit this does make a curator’s job more difficult; however, in support of this one-person-group-show approach, Hans Hofmann defended it best. When advised to choose a particular style and stick with it, he replied, “I am many people. I give to you at least three; they are all me.”